狄仁杰之鬼影血手

　　A quick glimpse at the cast for this film would make any horror fan giddy with glee. The actual movie doesn't live up to those high expectations, but it's far from being all bad. Desi Arnaz Jr. (!) plays an author who makes a crazy $20,000 bet with his publisher that he could write a great novel in only 24 hours. To do so, the publisher gives him the keys to an old abandoned house where he won't be disturbed. Not true. Once he gets there he is interrupted by a multitude of guests including a family which consists of John Carradine, Sheila Keith, Peter Cushing and Vincent Price. They are gathered there in a twisted family reunion to release their brother from the room he's been imprisoned in for forty years. Even Christopher Lee drops by as Corrigan, the man who has just purchased the house. Soon, they realize that the caged brother is loose and out for revenge.
　　What a great plotline and what a dream cast! This movie should have been a hell of a lot better. It's hard to pinpoint the exact problems with the film, but I would venture to say that the lack of lighting was a major fault. Sure the house has no electricity but I think they took the title of the movie a little too literally. Scenes after scenes are barely visible and the actors' faces are undecipherable. Only the moments in the main dinning hall are well lit. Also, the great actors are given very little to do. Cushing gets a few chuckles as the scared brother but Price, Lee and especially Carradine are somewhat wasted here. Well, at least Price gets the best line of the film: `Please don't interrupt me while I am soliloquizing.' And on the plus side, the story has enough twists and turns throughout to keep one`s interest and the ending, while a bit of a cop-out, manages to surprise.

　　George Peppard plays a hard-driven industrialist more than a little reminiscent of Howard Hughes.
　　While he builds airplanes, directs movies and breaks hearts, his friends and lovers try to reach his human side, and find that it's an uphill battle.
　　The film's title is a metaphor for self-promoting tycoons who perform quick financial takeovers, impose dictatorial controls for short-term profits, then move on to greener pastures.
　　The Carpetbaggers is the kind of trashy classic most people were too embarrassed to admit they enjoyed back in the early 60s.
　　But this Harold Robbins adaptation is so cheerfully vulgar, it's hard not to have a good time - especially given the thinly veiled portrait of Howard Hughes at its center. George Peppard plays the heel-hero, who founds an airline company in the 1920s and buys a movie studio in the 1930s, crushing friends and mistresses along the way.
　　The high cheese factor is aided by the good-time cast: Carroll Baker as Peppard's hot stepmom, Bob Cummings (quite funny) as a cynical agent, and Elizabeth Ashley, who married Peppard, in her debut -uncharacteristically, as a good girl.
　　One sad note is Alan Ladd, looking and sounding very end-of-the-line in his final role, as a man's man cowboy star.
　　Elmer Bernstein's swaggering score helps goose the action along.

　　一盒以万圣节为主题的录像带引发了一系列扭曲而血腥的故事，将“不给糖就捣蛋”的节日变成了一场生存之战。

　　一名18岁少女没有驾照，偷开父亲的车外出喝酒狂欢。酒驾之下，她撞上了一对骑机车的父子，造成两人当场死亡，少女却肇事逃逸。从那天起，父子的幽灵开始缠上她，良心的谴责与灵异的纠缠让她陷入恐惧之中。

　　深秋时节，中原某城市。“茂元记”店铺火光冲天，消防车和警车呼啸而至，经足迹专家祁凡（斗兵 饰）侦察发现，会计小楚（梁玉瑾 饰）与打更人倒在血泊之中。“茂元记”党委书记肖诚（傅祖成 饰）向警方提供小楚曾遭恫吓的线索，祁凡则根据现场遗留女鞋分析出案犯腿瘸的特征。公安局收审了毒打小楚男友陈华（沈冠初 饰）的歹徒，而主犯潘建国闻讯潜逃。潘父把儿子来要衣服的信交给刑警，入夜，侦察员抓住了潘建国，但经现场血型比对后，排除了其嫌疑。后在铁道旁发现一名被人勒死的瘸腿者，他才是真正的凶手。几天后，侦察员抓获了勒死同伙的聂景阳，不料审讯时他服毒自杀......

　　A single mother and a childless morgue technician are bound together by their relationship to a little girl they have reanimated from the dead.

　　主人翁是刚到好莱坞发展的一名印度演员，因为不熟悉环境而笨手笨脚地破坏了名制片正在拍摄的一场重头戏，以致被列入制片厂永不录用的黑名单。不料在阴差阳错之下，印度演员又接到请贴参加在制片厂老板家中举行的宴会，名制片见到他的出现分外眼红，而他则企图趁机弥补先前犯下的错误，刻意讨好制片，但是却仍然不断犯错，直至所有的宴会宾客都为之发狂。

　　Dr. Samantha Goodman, an attractive psychiatrist in her thirties, joins her husband and sister for a weekend at a winter cottage when an unexpected guest arrives. Harlan Pyne, a violent sexual offender, is convinced that Samantha conducted unethical experiments on him while she was his doctor. With the assistance of his troubled yet eager protege, Harlan forces Samantha and her family to participate in a series of nightmarish games. On this night of terror, escape is not an option, truth guarantees nothing, and revenge will not necessarily be sweet.