无影侦察队

简介：暂无简介，敬请期待

简介：维罗航空298号航班从新奥尔良起飞，按既定航线飞往西雅图。原本寻常的夜间跨城航班，在攀升至万米高空后接连出现无法解释的诡异状况。机舱仪表接连失灵，舱外闪过不明光源，全机通讯彻底中断，整架飞机与地面完全失联。随着事态不断升级，超自然异象在舱内接连浮现，现实与噩梦的边界逐渐模糊，外星势力的恶意渗透愈发明显。被困在密闭机舱里的乘客与机组人员，在完全孤立无援的绝境中，一边对抗接连失控的机舱系统，一边直面步步紧逼的未知威胁，在狭窄的机舱里争夺一线生机。

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 阿炳（郑茂松 饰）天资聪慧，自幼跟父亲华雪梅（宁化鲁 饰）学艺。父母双亡后，他已是无锡城有名的“小天师”。孱弱艺人钟师傅（邵华 饰）遭恶霸李老虎（董玉刚 饰）欺凌，其女琴妹（袁梦娅 饰）卖艺还债屡遭街头混混滋扰，阿炳因无力相帮，心生愧疚，遂云游他乡。数年后二人重逢，各诉衷肠。官至警察局长的李老虎越发霸道，由于倔犟的阿炳和琴妹不肯为其唱堂会，他差人弄瞎阿炳的双眼，遭凌辱的琴妹绝望中命丧黄泉。阿炳再度四处漂零，一腔悲愤时时灼烧着瞎子阿炳的心，回顾几十年自己所走坎坷之路，心中万般感慨。最终，流传千古的《二泉映月》从指尖流出......

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 1950年代，北方某农村。黄土屯土地贫瘠十年九旱，农业社成立后，吴大成（王琪 饰）任社主任兼支书，他决心带领乡亲们打井抗旱，改变家乡面貌。村里坏人钱三泰（李保罗 饰）趁机搞破坏，使大成的努力前功尽弃，加之养子小旺（孙水平 饰）的突然出走，使本来眼睛不好的妻子银花（秦怡 饰）双目失明。深明大义的银花为了不拖累大成的工作，强忍失明痛苦，不断为丈夫出主意想办法。大成深感自己在工作中的急躁情绪影响了大伙，他努力克服着缺点，并及时向上级组织汇报情况以讨得解决问题的方法。通过发动群众，他们终于揪出了暗藏的阶级敌人，受蒙蔽出走的小旺也回到了黄土屯......

简介：影片中槑舄（发音同：没戏）是一位其貌不扬的飞行员，他生活窘迫，但却会苦中作乐，体现了现代都市男女的一种生活方式，尽管外表光鲜靓丽，但其中的艰辛只有自己明白，而一切的努力也是为了不辜负自己，在虚幻的纸醉金迷的世界里，人们很容易迷失自己，而真正脚踏实地，努力前行的人，才会明白生活真正的意义。

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简介：因儿时亲眼目睹父亲被毒品所毁而嫉毒如仇的慈善家兼金融巨子余顺天，正悬赏一亿歼灭香港最大毒贩，此举在社会上引起轩然大波。警员林正风本致力搜证拘捕地藏，毒贩却因巨额悬赏导致人身安全受威胁，他在执行保护毒贩的任务时深感无奈，但又被余顺天的出价所诱惑，陷入黑白正邪的心理挣扎。

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　　彭万里身为公司总裁，却想着不择手段挖空对手公司1000万，而暗恋他的李燕却成为了这场商业阴谋的被害人，与此同时，开着一家半年没有装修好的皮包公司的白宏图闯入了彭万里的视野，正当彭万里想着如何利用包宏图顶缸时，三人被意外送到了远离都市的彩虹镇。                                                                                                                      彩虹镇遵守着古老而神秘的规则繁衍不惜，万物都被以快乐为能量的彩虹机控制着，期初，三人为了逃出彩虹镇想尽一切办法，阴错阳差，三人最终都爱上了这个地方，与此同时，一场保卫彩虹机的斗争倏然而至……

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　　故事重返上世纪90年代，终极反派宇宙大帝（科尔曼·多明戈 Colman Domingo 配音）从天而降，驱使以天灾（彼特·丁拉基 Peter Dinklage 配音）为首的恐惧兽掀起地球危机。绝境之中，蛰伏许久的巨无霸终觉醒，联合汽车人变形出发，一场前所未有的决战即将上演。

简介：1970 年，日本一支共产主义组织劫持了一架客机，并将其转向朝鲜平壤。一位代号为“某甲”的神秘人物（身份与背景至今无人知晓）在韩国中央情报部部长朴祥贤的命令下，策划了一场秘密行动，誓要不惜一切代价让飞机安全迫降。　　空军精英中尉徐高名在毫不知情的情况下被卷入任务，他必须完成几乎不可能的使命：智胜机上劫机者，并在地面上实施“双重劫机”。在一切都悬于一线之际，这场大胆的行动能否成功？

简介：Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

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　　《天山红花》是20世纪60年代拍摄的一部以新疆哈萨克族生活为主题的电影，片中“阿依古丽大嫂”、“阿斯哈勒大哥”等形象，曾深深定格在许多人的脑海里。30多年后，在新疆维吾尔自治区档案馆举办的档案展览中，一张这部片子的老剧照使人记忆犹新，很久以前的电影画面又在眼前浮现，故事情节也一点点被记起。