559
2.0

偶像

导演:
肖朗
主演:
高海博,陈泓雨,马容莉,朱子岩
别名:
未知
2.0
559人评分
普通话
语言
2009-01-01
上映时间
未知
片长
简介:
故事发生在南方某大学校园。一天夜晚校园礼堂灯火通明,座无虚席的观众热切聆听,悦耳的歌声在舞台上激荡着,唱歌的正是读研即将毕业的英俊潇洒的校园歌手杨可人,当他唱完向观众深深一鞠躬时,观众掌声雷动,他的独唱音乐会获得了巨大成功。杨可人急匆匆跑回宿舍打开电脑把这一喜讯告诉在网上相恋多时却只在视频上见过,而又从未在生活中谋面的女友:一位漂亮的女高音歌手赵兰,并要求与其见面。赵兰说她将举办两场音乐会,一是满足杨可人见面的要求,同时也是为感谢歌迷对她的厚爱。杨可人为终于能有机会见到自己朝思暮想的恋人而喜出望外,他极积准备着行装,却遭遇到了同宿舍的好友蒋大林的“挖苦”。大学校花沈惠民倾慕杨可人已久,发短信邀他在学园咖啡厅见面,然而急于去见自己心上人的杨可人根本没有看到短信,而这一信息却被暗恋沈惠民的蒋大林发现而去赴约……赵兰音乐会的现场气氛热烈、观众情绪高昂地等待着她的出场。杨可人也手捧鲜花进入剧场。当幕布徐徐拉开,美丽的音符从侧幕传出,人们在屏气凝神中等待着自己心中偶像出场时,一个意外的景象出现了:原来美丽的声音却发自坐在轮椅上的赵兰。杨可人惊呆了,观众沸腾了,人们心目中的偶像在瞬间倒塌了。赵兰同样经受了被嘲讽的痛苦和屈辱,让她真正意识到正视自己现实的必要性。然而不能接受这个现实的杨可人却倍感失落和愤慨他冲动地跑到赵兰入住的酒店去谴责她隐瞒自己是残疾人的事实从而欺骗了他的感情。赵兰表面平静地面对了杨可人的责难继而愤然反击赶走了杨可人,实则内心非常痛苦,她知道她失去了一个正常人应该享有的爱情,但是她没有停留在悲伤中,毅然决定继续演出并且在海报上加上“残疾人歌唱家”的醒目标识。失落的杨可人在海边疯狂地发泄着自己的感情,他实在不能接受自己热恋的偶像竟然是一个残疾人的事实。他一蹶不振地回到校园足足睡了三天,也让他的同室好友蒋大林担忧了三天。似乎一切趋于平静,杨可人开始了毕业论文的箸作,然而内心,赵兰的音容笑貌却时时在他的脑海中荡漾……
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上映时间:前天18:57
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简介:Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
915
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主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
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