201
9.0

特殊替身

导演:
向涛
主演:
杜玉明
别名:
未知
9.0
201人评分
国语
语言
未知
上映时间
未知
片长
简介:
韩家杰是一个武行替身,所以从来没在电视上露脸,在片场经常完成着各种类型的动作片,军事枪战、古装武侠、飞天遁地无所不能。虽然经常参演精彩的影视片段。但现实中的众人却租着廉价的出租屋,随着身边兄弟离去,同行转业,韩家杰最终动摇了,在一个失意的晚上他来酒吧买醉,却发现有人行凶,正义感促使他出手相助,却不知救的人是不法集团的欧莹莹,欧莹莹见韩家杰身手不凡,二人相识后韩家杰更是跟随欧莹莹等人做事,直到一次见到了毒品对人的危害,韩家杰心生正义随之报警,并且掌握了欧雄的犯罪证据,展开抓捕欧雄落网,经历了这次生死的韩家杰,更是意识到了自己的价值,亦然选择梦想,回到自己的工作岗位,继续做起了武打替身。
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简介:Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.  Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.  Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.  No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.  A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.  Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.  In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.
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