我的美女老板

　　多米尼克是一个占有欲很强的父亲，与他的一同妹妹经营着一家叫做“野兽天堂”的大型宠物商店。多米尼克与妻子凯茜间的关系因家庭暴力已经无可挽回，他带着两名孩子克莱尔斯和费迪南德一道离开。他们在国境的另一边的一间冬季运动豪华度假酒店里住下，多米尼克试图建立一个幻想中的世界，用自己无条件的爱来感化儿女。

　　青青为了挽救家族的生意，被迫离开恋人赵沐泽参选了族里的屏风美人，她和喜宝、欣然两个女孩子当选，进到了沉鱼院里。青青在沉鱼院里遇到了上一届的屏风美人凤鸾，沉鱼院里规矩森严，几个女孩子二十年内要与世隔绝。赵沐泽在大商人乔天鹤的帮助下，想方设法的帮助青青和凤鸾逃出这个牢笼，却被大商人乔天鹤利用，卷入到了一场阴谋之中…

里奇（朱利安·迪尼森 Julian Dennison 饰）是一个性格非常恶劣的小男孩，没有人愿意和他一起玩，而他带给别人的也只有无穷无尽的麻烦。终于，里奇因为他的劣迹斑斑而被送到了一座位于大山环绕之下的小村落里，那里住着她彪悍的婶婶宝拉（瑞秋·豪斯 Rachel House 饰）和看起来就不好惹的疤面姨夫海克（山姆·尼尔 Sam Neill 饰）。                                                                      　　虽然里奇表现得对这里的生活非常厌恶，屡屡想要逃跑，但宝拉对里奇的关心和爱渐渐融化了后者内心的坚冰，里奇第一次感受到原来被爱是这样一件温暖的事情，和婶婶每天为他准备的暖水袋一样的温暖。然而好景不长，婶婶去世了，里奇将被再度送进福利院。

　　大学教授夏薇（王丽坤 饰）涉嫌故意杀人，舆论发酵失控，多方压力涌来。随着检察官李睿（黄景瑜 饰）和同事张有成（王千源 饰）对该案进行审查，发现作恶多端的富商陈鑫（包贝尔 饰）与此案密切相关，一桩深埋多年的旧案被牵出…故意杀人案、强奸案、官商勾结环环相扣，所有人都被迫卷进这场命运的漩涡。李睿与夏薇辩护律师童雨辰（白百何 饰）在法庭上激烈交锋，夏薇究竟为何沉默不语？她的丈夫洪俊山（冯绍峰 饰）又隐藏了什么秘密？正邪敌我难辨，无法预料的危机等待着众人…

　　Hayley Udall tries to make ends meet for herself and her 14 year-old daughter while providing alimony for a horrible ex-husband. She wishes her problems with her ex could go away, and upon venting her frustrations one night, finds herself tangled up in a pact with two people (Melanie and Kevin) to "eliminate" each other's problems. It seemed innocent wishful thinking before, but as people end up dead-including Hayley's ex-husband-Hayley is trapped to fulfill the pact or risk taking the fall for murder. She tries to clear her name but the police (led by Detective Marks) is eyeing her for her ex-husband's death as well as others. Then Melanie abducts Hayley's daughter as leverage for Hayley to follow through and kill one last person. With Detective Marks trying to find the truth, Hayley must hurry to save her daughter and find a way to avoid murder.

　　雾港市经侦大队队长郑义（王千源 饰）在调查一宗涉及数百亿的股票诈骗案中，发现韩东川（冯绍峰 饰）以“Dr.Han”的名义，与好兄弟成立“大金牛投顾机构”，利用直播诱导投资，做局诈骗。一场与时间赛跑的激烈较量，在警方反诈精英与“犯罪天才”之间展开。而随着调查深入，真相却愈加扑朔迷离。韩东川有何隐情？幕后黑手究竟是谁？重重迷局如何破解？在充满欲望的金钱堡垒之中，一切悬念将被解开……

　　Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.