899
2.0

凶宅美人头

导演:
胡庆士,刘邑川
主演:
雷鸣,徐萍,王艳梅,李小波,富锦,李越,舒跃宣,胡庆士,吴庄,刘晓民,贺平
别名:
未知
2.0
899人评分
国语
语言
未知
上映时间
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片长
简介:

  故事发生在民国时期,楚楚动人的医学院女毕业生尚华来到著名医学教授柯克恩所在的别墅应聘助手职务,谁知当她走进实验室时,却被眼前的一幕吓得失声大叫,惊慌失措。原来实验台上有一颗女性人头,而且人头仿佛具有生命一般。尚华接受了教授禁止讨论这里一切的要求,成为柯克恩团队的一名成员。那颗人头的主人名叫罗美娜,曾是一个红极一时的舞女,却最终被人残忍杀害。教授利用自己先进的医疗技术将其复活,并四下打听准备为罗美娜匹配一具合适的身体。
  最终实验终于获得成功,重新复活的罗美娜站了起来,而她也瞅准时机跑出了实验室……

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简介:Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.  Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.  Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.  No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.  A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.  Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.  In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.
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