魔袋谎言

简介：Актёры Театра Юного Зритепя, Николай Иванович и Зина, в канун Нового Года подрабатывают Дедом Морозом и Снегурочкой. Для Николая Ивановича это не просто заработок - это прежде всего творчество, каждая квартира - это его сцена, его театр. И вот весь вечер Дед Мороз со Снегурочкой поздравляют детей, переезжая из дома в дом, пока не попадают в обыкновенную квартиру, где случается обыкновенное новогоднее чудо...

简介：A mother, a daughter and a stranger from another land are thrown together on an unexpected road trip that takes them on a journey of love, humour and redemption.

简介：故事发生在东欧某国。任浩铭是当地华裔青年，举世瞩目的商界巨子，他名下资产无数、富可敌国，然而却始终热衷于慈善，并且他还有着特别调查事务局的特工身份。阮清恬则是皇家艺术学院学习舞蹈的学生。一次阮清恬为了躲避苦苦追求纠缠她的同学任浩杰，误上了任浩铭的车，由此结识了任浩铭，并对其产生好感。可是任浩杰并不知情，依旧对阮清恬纠缠不已。任浩铭在去艺术学院找弟弟的时候，无意中发现阮清恬也是同校学生，这才知道弟弟一直痴迷的女孩就是自己喜欢的女孩。而阮清恬也慢慢发觉自己落入了兄弟两人构建的情网中，纠结万分。在三人理不清的关系中，任浩铭忽然发觉阮清恬的身世跟一起跨国犯罪案件有着密切的联系……

简介：

阿里，一个20多岁的年轻人，在突尼斯的街头以违法贩卖汽油为生，警察还总来抽油水，他的生活很不稳定。阿里梦想能通过自己的努力去欧洲过上更好的生活，但父亲的突然去世使得养育两个妹妹、偿还债务的重担落在了他的肩上。正当他们全家即将被赶出家门时，一个机会落在了阿里面前。然而，在一个充满腐败的社会里，“机会”总是意味着“非法”，这个决定很可能会令他无法回头。

简介：

A man unknowingly hires a psychotic instructor to teach his 10-year-old daughter how to swim.

简介：A group of friends take their recently sober friend, to the remote Hills to help him stay clean. But when eerie events unfold and people start disappearing, they must question whether it's the Boogeyman or their own unraveling minds.

简介：民国时期的大上海……阿宝，一个高级小骗子。 阿满，为了混口饭，不得已做了阿宝的跟班。为了混两口饭，阿宝高兴的带着阿满做起了冒名神探。天上掉下大案子，阿满高兴之际却又震惊了——自己暗恋的女神，歌女林雨烟疑似落入“少女狂魔”手中！ 阿宝急了，慌了，决定奋不顾身了。小骗子决定要做真神探，找回女神！于是，阿宝拉起被他忽悠的正义感爆棚的阿满开始查案，囧探双人组正式出击！ 两人无头苍蝇式的查案方式惹了斧头帮，恼了缉私队，绑了真警探，搅乱了大上海，忙慌了江湖人。在一番鸡飞狗跳有惊无险之后，不仅大破“少女狂魔”案，还历尽千辛万苦找到了女神。然而，真相，却不是那么简单……

简介：Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

简介：Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

简介：遺傳了爸爸能和動物對話的天賦，杜立德家族的小女兒瑪雅這次因為醫治社交名媛的狗而踏入了星光燦爛的社交圈。她必須想辦法駕馭難搞的神經質犬以及其他嬌生慣養的小動物們。迷失於有自己電視節目的機會，她忘了這些小動物們不是人類用來炫燿的道具。而這些小動物們也讓瑪雅發現，認真傾聽小動物們的想法比會跟動物交談的能力要來的重要多了!

简介：After his four siblings mysteriously die in their first weeks of college, a paranoid freshman must put his fears aside when a masked killer picks him as her next victim.

简介：一场惨绝人寰的连环惨案，让雷杰米一直被恶灵缠身困扰。但只有他知道真正的凶手是一种“看不见、摸不着”的在阴影中潜伏的恶灵：无声逼近、瞬间夺命，只留破碎尸体与无法解释的诡异痕迹。雷杰米与女医生卢娜联合调查时发现，一切源于他童年母亲死亡有关的研究秘密释放的远古恶灵，它正以扭曲低语和血迹标记猎物，吞噬猎物的恐惧，将他们逐个拖入绝望死亡。证人离奇发狂、无人医院深处传来湿滑爬行声……而每当人心恐惧到极点，恶灵便会在黑暗中悄悄靠近……身边人接连惨死，雷杰米必须直面纠缠他一生的“恶灵”，才能拯救他所爱之人。当他们以为噩梦终结时，恶灵却失控逃逸扩散，更大的恐惧才刚刚苏醒……