314
10.0

周日总是下雨天

导演:
罗伯特·哈默
主演:
乔姬·韦瑟斯,约翰·麦卡勒姆,Susan Shaw
别名:
未知
10.0
314人评分
英语
语言
1947-11-25
上映时间
未知
片长
简介:

  本片被认为是Ealing Studios出品的非喜剧作品中最优秀的一部,以黑色电影的手法刻画了伦敦东区工人阶级的浮生一日,堪称是激进现实主义(kitchen-sink)作品的先驱。2008年,在纽约的英国黑色电影放映季上,本片获得了美国影评人的高度赞扬,但是在此之前,本片一直鲜有人知,因此被认为是一部被忽略的1940年代英国电影杰作。《The Village Voice》夸赞本片是一部“描绘‘困境’与‘未遂心愿’的杰作,在闪回和多重叠加叙事方面极具创新性,韦瑟斯与麦卡勒姆的表演也精彩至极”。《Time Out》则评价本片是“令人无比兴奋的一部作品!一部生气十足却又凄惨无望的惊悚片,罗伯特·哈默的这部伦敦底层阶级乱炖所伴随的残忍无情与精准无误十分激荡人心,这是大部分电影都不敢尝试的,更别说能实现这一点了”。本片从一个阴雨连绵的周末清晨开始讲起,生活在伦敦东区的家庭主妇萝丝·桑迪盖特(乔姬·韦瑟斯 饰)偶然得知了汤米·斯万(约翰·麦卡勒姆 饰)逃狱的事情,萝丝不禁回想起往事,原来她与汤米曾是旧日情人,差一点便迈入婚姻殿堂,但就在俩人订婚后不久,汤米突然锒铛入狱,萝丝只好另嫁他人,令她没想到的是,逃狱后的汤米居然登门求助,念及旧情的萝丝只好将他藏匿在自己的卧室中。萝丝的丈夫乔治·桑迪盖特(爱德华·查普曼 饰)与前妻生有两个女儿——薇和多丽丝,薇怀有唱歌梦,与在乐队工作的已婚男人莫里·海姆斯暧昧不清,多丽丝则被海姆斯的兄弟卢看上,卢邀请她去夜总会工作,多丽丝的男朋友泰德因此与她大吵一架。福瑟吉尔警官一边追查汤米的下落,一边调查一起仓库失窃案,犯下失窃案的正是在东区游荡的怀提一帮人,他们为了转手赃物想尽办法,最终却被老尼斯利占了便宜,为了报仇,怀提决定暴力抢劫老尼斯利。到了深夜,萝丝打算帮助汤米逃跑,不料突然登门拜访的记者令萝丝陷入不知所措的困境。

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上映时间:08月29日 20:13
主演:John Price,Preben Neergaard,Lotte Tarp
简介:

  The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.

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